‘I was attacked by a bloody rabbit’: how we made Xena: Warrior Princess
Steven L Sears, writer and co-executive producer
I was in a meeting with an executive from Renaissance Pictures when he mentioned a series they were going to do: “A hip, updated version of Hercules.” Xena was a character in that, compellingly brought to life by Lucy Lawless. When Hercules: The Legendary Journeys became a big hit, they decided to spin her off into her own series. That’s when I became involved.
Building on Xena’s backstory, we developed a character who has been turned into a feared warrior because of things that happened during her childhood and early adulthood, but at heart she is a good person keen to help others. The common take was that she was on the path to redemption, but my belief was that she felt she could never redeem herself for the thousands she had killed.
Gabrielle, meanwhile, is a simple village girl given the chance to realise her dreams of adventure. Since she recorded the duo’s escapades on scrolls, fans started calling her the battling bard. Right from the start, though, we refused to make her just a sidekick. She offered a beautiful innocent perspective on Xena’s darker, more barbaric character. Ultimately, she became Xena’s saviour.
The show’s co-creator Rob Tapert would present us with wild ideas and leave us to make them work. I can’t think of a regular show that did a musical episode with original songs before we did The Bitter Suite. One time, Rob wanted me to change the word “camouflage”. He said: “It’s a French word and this is not a French show.” I said: “You’re having a problem with a French word in a series set in ancient Greece with a protagonist played by a New Zealand actress using an American accent?”
Later, we expanded our universe quite a bit. In one episode, clones of our heroes interacted with Xena fans in the present day. Another, set in an alternative reality, saw Xena ruling over the Roman empire with Karl Urban’s Julius Caesar after their marriage. Xena offered the opportunity to go from drama one week to satire the next and, more importantly, had a cast and crew that could pull it off.
People called Xena a sword and sorcery show, even though our universe had swords but no magic. There were mythological creatures and entities with powers, but those powers had restrictions. Most of the gods echoed the pettiness of mankind, with all their egos and desires.
Back then, the studio was very hesitant about suggesting Xena and Gabrielle were in a romantic relationship. They even objected to a moment in the title sequence where Xena is seen walking seductively towards the warlord Draco, because he was shot from the back and had long hair, so could be mistaken for a woman. But as time went on, they decided to look the other way and just let us get on with it. Somebody once asked me if Xena and Gabrielle ever had sex. I said: “It’s none of my damn business. They do social and domestic duties together, they have fought for each other and died for each other. If you’re defining the relationship just on sex, you’re really missing the whole point.”
We had a very varied following, from children to students to older people. My dad once spotted a neighbour, in his 80s, waving a stick in his front yard as if sword fighting. “I’ve been watching my favourite show, Xena: Warrior Princess,” he explained. “You should see it – there’s a guy called Sears who works on it.”
Renee O’Connor, played Gabrielle
My focus with Gabrielle was how to make her feel empowered and not just the damsel in distress. The time I’d spent doing gymnastics at school probably helped with some of the moves I had to perform: handstands, backflips and so on. I loved working with weapons and dancing around stunt people. During one fight, my stunt double was standing in for the antagonist and, as we were twirling around, we stepped too close to each other and she ended up with a broken nose.
Even in the first season, we started to hear from people who thought Xena and Gabrielle’s relationship was more than just friends. Later, that subtext started to develop. We didn’t get a sense of how big the show was becoming until Lucy came back from a convention in the US and said: “Oh Renee, it’s like you’re a rock star!” At that point, the show hadn’t started airing in New Zealand. So, as we filmed in our little sacred space in Auckland, we could still walk around anonymously.
I tried showing Xena to my kids when they were young, but my daughter was terrified, seeing her mother repeatedly getting beaten up – or even attacked by a bloody rabbit. I kept the weapons Gabrielle used and still have a few boxes of costumes. My daughter’s 18 now and I know she’ll end up wearing them on a date or something.
I can relate to the young Gabrielles I meet at conventions who appreciate that kindness doesn’t mean you’re weak. Being able to live through my character emboldened me, helped me stand up to the bully. That’s definitely carried on for the rest of my life.
