The artist capturing the nostalgic charm of UK villages in winter
For many of us, the run-up to Christmas can mean online shopping, emailing festive messages and sorting out social arrangements on WhatsApp. But for Vanessa Bowman and her friends, it is a chance to keep low-tech traditions alive.
Every year, Vanessa and her friends go carol singing, walking from cottage to cottage along the quaint lanes of the Dorset village where she lives. Wrapped up warm, they hold lanterns and sometimes bring one of their dogs.
“Cattistock is the quintessential English village,” says Vanessa. “We’re very close and there’s always something going on.” As an artist, Vanessa gets most of the ideas for her work from her surroundings. “The seasons are a big inspiration,” she says.
Her working day starts with a local stroll, when she will gather a few sprigs of greenery – perhaps rosehips or ivy – to arrange into a still-life in her garden studio. Then she comes up with a narrative for a picture – such as carol singing – and creates a scenario. Other festive tableaux might show people choosing a tree, browsing a Christmas market or baking mince pies.
“Everything I paint is based on where I live – if there are sheep in a picture, they’ll be the sheep around here. If there are robins and blackbirds, they are the ones I might have seen in the garden.”
Sometimes Vanessa, who grew up nearby, can’t help but conjure up a memory of her own childhood. She has fond recollections of lying beneath the Christmas tree at home staring up through the brightly coloured lights and branches, as well as skating on frozen flooded fields in her wellies with her sisters, Claire and Sarah. “I hear the bells of Midnight Mass and still find it hard to get to sleep,” she laughs.
Once Vanessa has a scene in mind, she gets to work. She paints on card with oils for their colour saturation and texture. Each piece requires a fresh palette, which she creates by squeezing different colours of paint in a circle. “It’s a ritual for me,” she says. Sometimes, she will limit the colours to two or three and use multiple shades of each. A Christmas snow scene, for example, could be depicted in just red, white and green. Today, Vanessa is drawing a typical winter landscape. “I often include the church because I can see it from the studio,” she says. This picture will also feature hills covered in a blanket of snow, branches of fir, holly and a robin.
To get the perfect consistency for her paint, Vanessa will thin down the paints with a citrus-based oil, an alternative to turpentine. It fills the studio with a festive orange scent. Vanessa’s paintings have a distinctive style with a flat perspective and rich details. She takes care, for example, to depict stones in the walls of buildings, the plumage of pheasants and clusters of plants. She gets much of her talent from her father, Mike Bowman, a former art master at a school in Dorchester, who taught her how to draw and still paints himself. Vanessa then developed her style while studying for a degree in printed textiles at Winchester School of Art.
After graduating, she initially worked for big fashion brands. But in the early 2000s, Vanessa and Nick, her husband, moved to Cattistock and she put her efforts into renovating the farmhouse they still call home. She combines her painting with other design projects.
Vanessa quickly found customers for her artwork, which she sells through galleries and also in the form of cards, prints and calendars. Businesses have approached her, too.
A few years ago, the Highgrove Estate commissioned two Christmas card designs featuring hares and pheasants wandering through the grounds, while Farrow & Ball asked Vanessa to create a picture for a set of paint colours they had designed with the Natural History Museum. She has also exhibited her work in White Space Art in Totnes, The Jerram Gallery in Sherborne and the Red Rag Gallery in Bath.
There is one exhibition, however, that only residents of Cattistock get to see. Some of the villagers sign up each year to create Advent windows – festive displays in a downstairs window of their home. Everyone contributes a scene, with a display going up in different homes on each day before Christmas. This year, Vanessa is producing two: a richly illustrated Victorian theatre- style display on a Nutcracker theme and a lace-like papercut village scene lit up with fairy lights.
Both conjure up a sense of Christmases past. Vanessa hopes they leave passers-by with feelings of cosiness and comfort. “I like to think of a child pressing their cold little nose against the glass,” she says, “thinking, ‘This is completely magical.’”
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